August 2006
Protecting Your Intellectual Property
As
AV integrators develop more proprietary solutions, efforts to protect
IP like software source code are getting more attention.

Pete
Dugas, president of Technical Services Audiovisual (TSAV) in Athens,
GA, and Ricardo Jimenez, engineer (left), work out kinks in the source
code for an upcoming AV project. To ensure the firm’s intellectual
property is protected, the staff sets clear boundaries for ownership of
proprietary source code on all AV projects. (Photo by Ian McFarlane)
by Tom Zind
When
integrator Technical Services Audio Visual recently landed a contract
to design a system for a university client’s campus building, a
roadblock stopped project planning in its tracks. The “keys” to the
software another AV systems integrator had used to build an earlier
system that the client wanted to essentially duplicate in a new venue
weren’t accessible.
“The contractor who preceded us never
provided the client with the software source code,” says Pete Dugas,
president of the Athens, GA, company. “We explained that they either
had to get the source code or pay us to build the system again from the
ground up.”
To the budget-minded client’s relief, Dugas’ company
examined the contract for the prior job and found that the source code
used to the design the control system was, in fact, the university’s
property. “The other integrator hadn’t supplied the source code, but
the contract documents that were drawn up by the designer the
university hired for the original install stated the integrator was to
supply the source code to the university. So we had to coach the client
on how to get it from the integrator.”
The client, Dugas says,
wasn’t the only one surprised. The integrator, too, wasn’t aware it was
contractually obliged to provide the code, he says.
Ownership questions
Similar
misunderstandings, which can bear the seeds of potentially contentious
disputes, are becoming more commonplace in the pro AV industry. As AV
systems designers, consultants, and integrators use proprietary
software programs to build increasingly complex and unique solutions,
questions about who owns them and who gets to use them linger.
Indeed,
the AV industry is waking up to the broad issue of intellectual
property (IP) – the tangible and occasionally intangible products of
designers of all stripes at AV systems solutions providers. Potentially
encompassing everything from software to shop drawings to project
design specifications, intellectual property is emerging as the essence
of the “product” that industry players are selling. As such, it’s
increasingly being recognized as something worthy of protection, or at
least appreciated for its value and wisely managed.
The
industry’s two major trade associations are devoting more resources to
shedding light on the matter. Both the National Systems Contractors
Association and InfoComm International staged educational sessions on
IP at recent trade shows. The latter organized two roundtable meetings
on the topic in New York and Chicago built around a new
attorney-prepared “white paper” outlining the various types of IP and
how they can be protected.
The importance of identifying and
protecting IP is a message that’s starting to resonate with more
integrators like Technology Providers Inc., Chandler, AZ. IP in all its
forms, especially custom software critical to implementing custom
solutions, is the essence of a modern integrator’s business, says
company president Ralph Cruz.
“Ultimately, what’s going to set
integrators apart or make them unique is the ability to produce IP,” he
says. “When you have 10 integrators all after the same jobs with the
same access to component vendors, what’s unique is the service and the
IP – the minds and people who embody those minds – that can be
provided. We value it significantly.”
But of all the IP
possessed by systems integrators, software that allows multiple systems
components to work in tandem and yields the critical control interface
is the IP asset garnering the most attention — and for good reason.
Merely the most visible part of an AV solution, much AV hardware, notes
Bill Nattress, a programming specialist and senior associate in the
Chicago office of systems designer Shen Milsom & Wilke, is a “boat
anchor until software is brought to bear.”
Many integrators,
however, remain focused on the profit margins derived from selling the
hard assets and labor needed to deliver functional AV systems. Even as
more integrators find themselves spending more time and money to
develop software essential to the solutions they deliver, methods for
properly valuing, managing, and protecting the IP that’s created are
elusive. Moreover, there’s not even full agreement among integrators
about whether it makes good business sense to try to protect software
IP.
Source code key
At
issue in the software IP debate is access to source code, the essential
building block of all software programs. In applications, source code
yields compiled machine code, which can’t be readily interpreted or
modified.
With the source code at hand, however, software
programs can be modified, enhanced, and even duplicated. Thus,
companies that invest significant amounts of time developing software
and place a value on it often are highly protective of source code.
The
software IP debate in the pro AV industry centers on who ultimately
owns source code and whether and under what circumstances clients
should be able to access it and use it as a building block for future
system enhancements and add-ons. To a lesser degree, the issue of
ownership and use by employees, contract programmers, and other
integrators is part of the debate.
As the source code ownership
issue comes to the fore, integrators are adopting different strategies.
While some companies say code ownership is far down their list of
concerns, others are adopting a range of solutions to protect their
interests, from detailed licensing arrangements to selling the source
code outright to establishing software “escrow” arrangements.
Whatever
the approach, integrators and others who seek to protect source code
have a strong legal leg on which to stand. Attorneys specializing in IP
protection, like Dean Pelletier, who presented at one of InfoComm’s
recent IP roundtables, say authors of original software and the
underlying source code have well-established copyright protection. The
key for integrators, though, is establishing that fact up front by
addressing ownership, usage, and transference issues during contract
negotiations.
“The fundamental issue is appreciating what it is
you have in the form of IP and taking steps to establish ownership
rights or perfecting those rights, and identifying and accounting for
any intellectual property in any contracts you enter into with
contributors or clients,” says Pelletier, of McAndrews Held &
Malloy, Chicago.
One of the keys to integrators retaining
ownership rights, Pelletier says, is to ensure that common
“work-for-hire” arrangements that imply any, and all work done for a
client is the client’s property are strictly avoided.
Unless,
that is, you’re an integrator who’s hired a consultant or contract
programmer to program a system for one of your projects. In that case,
to protect your interests, you want to invoke the “work for hire”
framework that transfers ownership of any work done for you to you.
That way, the source code they develop on a project basis becomes your
property, says Randy Notzen, an IP attorney and vice president of Webb
Law Firm, Pittsburgh.
“When working with consultants or outside
programmers it’s important that you have an expressed assignment of
copyright to you in your agreement with them,” says Notzen, who’s
served on IP panels at AV industry trade shows. “Avoid ad hoc,
word-of-mouth agreements on this issue, because if this issue is
overlooked and not addressed up front they’ll be in a position later to
come back and want royalties for the source code they wrote. That can
be cured by dotting your ‘Is’ and crossing your ‘Ts’ at contract time.
You need language in there that assigns the code to you.”
Up
until several years ago, HB Communications, Inc., a North Haven, CT,
integrator didn’t spend much time worrying about source code issues.
But as software applications grew and it learned how valuable and
vulnerable its source code was to being recycled, the company began
taking steps to protect it, says Jim Smith, the company’s director of
strategic initiatives.
Smith said he began to appreciate what
was at stake when HB was tapped by a former client to finish up work on
a project another integrator it hired couldn’t complete. “They asked us
to come in and help program the system, and when I opened it up my name
was on the source code that I developed for a previous job we did for
them,” Smith says.
Licensing vs. selling
To
better limit access to source code or ensure that it reaps its full
value, HB now either confers software licenses to some customers or
sells it outright. Under a licensing deal, the client is granted use of
the software within the scope of the contracted project only. HB
retains ownership of the source code, while the client is given the
compiled code, Smith says.
Under the sale scenario, HB tacks on
an extra charge for the source code developed in the context of a
particular project. Such a sale effectively gives the client and
integrators it may ultimately hire the right to use the source code on
future projects.
“Which way we go is on a case-by-case basis,”
Smith says. “There are some clients we don’t want to give the source
code to at all. If I execute a licensing agreement with someone we’ll
expect them to execute a similar document with someone else they may
hire. When we sell the source code we can end up charging a significant
amount for it; some clients might say a ridiculous amount, but we’ve
usually invested a ridiculous amount of time developing it.”
Smith
says the source code charge, calculated on the basis of labor expended
to produce it and expected future value to the client, can be as high
as $5,000. Programming, Smith says, is accounting for a growing
percentage of system development costs. Five to six percent is now the
norm, he says.
To some integrators, software-related IP is so
valuable that they strongly resist selling it. Cruz, of integrator
Technology Partners, says he tries to price it out of the reach of most
clients because of the time and money invested in developing it. “You
can’t charge effectively for releasing your IP rights,” he says.
In
the event a client wants to own the source code, Cruz says he’ll
commonly agree only to a co-ownership arrangement. When presented with
a price for ownership, Cruz says, “19 out of 20 times the client will
go with a licensing arrangement.”
Impact on client relations
One
of the downsides to software licensing in the eyes of AV integrator
clients is that the arrangement limits their future options. Without
full access to the source code, the end-user community argues, they’re
effectively bound to re-hire the integrator that performed the initial
job if they want to build on that initial work. And, in the event the
integrator goes out of business, their access to source code is further
jeopardized.
To address the issue of possible business failure,
some integrators are placing the source code in escrow. Mike Vergauwen,
chief operating officer for Audiovisual Inc., a Minneapolis-based
integrator, says such arrangements give the end-user assurance that
their hands won’t be tied.
“A client may not want to be beholden
to us or they may fear that we could go out of business, so we’ll put
all of the code in third-party escrow, which will enable the release of
it to them in that event,” he says.
Not all integrators,
however, worry about parting with source code or other intellectual
property. Some still approach the business as one that revolves around
pleasing clients. If they want the source code, fine, some say. Such an
attitude, they contend, helps ensure they’ll get rehired for future
work.
“I think it’s better just to give the source code to
customers,” says Mario Maltese, CEO of Audio Visual Resources, a
Williston Park, NY, integrator. “We think customers pay for that code
in the price they pay us. A lot of integrators hold that code close to
the vest, but we believe we cover the cost of that source code in how
we price our services. If you’re worrying about protecting this kind of
intellectual property, you’re not doing something right.”
AV
systems integrators and designers generally have the law on their side
when it comes to protecting intellectual property. Essential to
protecting rights, though, is knowing what type of protection applies.
The main categories of intellectual property that the AV industry may be concerned with are:
• Copyrights.
The easiest form of protection to secure, copyrights protect the manner
in which something is expressed. Easy to secure through the U.S. Patent
Office, they restrict reproduction and reuse in the exact form. They
can apply to property like software source code and proprietary system
designs.
• Patents. Usually applicable to
physical property, patents exclude others from making something
sufficiently similar, and selling and possibly using it. In the AV
industry, gear, including something like a graphical user interface,
can be patent-protected. There are two types: utility patents and
design patents, the former addressing something functional and usable,
the latter something non-functional.
• Trade secrets.
Defined as information not known to others or readily accessed by
someone else, and that which the owner has attempted to keep
confidential, this protection can apply to source code, pricing
formulas, manufacturing processes, business proposals, and bid data.
Tom Zind is a freelance writer and
researcher based in Lee’s Summit, MO. He has written for a variety of
business-to-business publications and can be reached at tomzee1@earthlink.net.